Chrononaut

(inspired by Eddie Harran and first performed at Chronference: an experimental pop-up time travel symposium follow link to storify)

“I’m interested in time.” You said.
“Deep time, time literacy, wild time, modern time”
You had me at time
The nature of time
The construct of time
The experience of time
Slicing up our lives into years, days, hours, seconds
An assault on our being,
A straight jacket for our rhythms and pulses.

My time is measured differently
A deep breath, in and out
The space between heartbeats
The length of a warm embrace
The depth of a meaningful conversation
The quickening of a smile between strangers
The rhythm of my womb and the moon
The pause at the end of this line.

Someone once asked me how long it takes to write a poem
There are few things in my life more satisfying
Than gently coaxing poetry from my heart into the world
How long does it take?
5 minutes and 35 years
Everything I am, and have ever been
Culminating in a moment of stillness and careful attention
The thread of feeling must be wooed
Courted, encouraged,  delighted in
Allowed to reveal itself in words
It doesn’t take time, it takes a particular quality of being.

This is the sacrificial blood that coats the hands of our clocks
This quality of being cannot be measured or named
It only exists in surrender
Outside time’s controlling glare
A gateway to eternity
My soul is timeless.

To be seen

image

When I was a child I did everything I could to get into my mother’s photographs. She’s one of those people who takes photos of churches, architecture and scenic views. I longed for her to take photos of me, longed to see myself through her lens, to know myself and to know her eyes were on me.

When I was 4 we lived in a weatherboard in Mitcham. The kitchen had a lime green breakfast bar with a great big mirror so you could see who you were talking to you. I was fascinated by my own image, thoughts of beauty never entered my mind. I longed to see myself as others see me, to see myself strange and alien and candid, to see myself as I truly was. The family joke went that Kiri just likes to talk to herself, it’s one of those stories that’s been told about me over and over.

Later I came to interpret these things as vanity, and I learned to feel ashamed. My longing to be seen, to know myself was somehow wrong, I’m not allowed to want to be seen, I don’t deserve to be seen, I can’t ask for it or expect it. Over time I learned to hustle, to try and get the attention I craved without anyone knowing.

But people always know.

People know and they are irritated by it. The fear in me triggers the fear in them, the fear leads to comparison and judgement “Oh my god, I can’t believe she’s hustling for approval again. My hustle’s so much better than her hustle. If only she stopped she’d be so much more likeable.” Inferiority triggers superiority, two sides of the same coin. 

I have to find the middle path, this is what people mean when they say “Just be yourself” but words don’t work. The dance is within us, buried deep, the habit of a lifetime.

Humans are fickle shysters caught up in their own games, surely only spiritual masters are free of it. (Not being a spiritual master I’m not actually sure what it’s like for them, perhaps they are not free of the game but comfortable with their humanity.)

I have found trees to be particularly helpful as exemplars of being. They are generous to a fault, utterly present and free of pretense. However my heart longs for human community interwoven with the more-than-human world. Perhaps that’s the middle path the reweaving of the human being within the more-than-human Being.