In the middle of last year I was going through a creative slump. It was well after Poetrees had launched and toddled along and I was burnt out from the effort of trying to put the work out there and engage people in it. (Turns out that marketing is not my forte.) I was very fortunate to receive an invitation to do a process called ‘Renewal of Creative Path‘ with a friend, Margaret Hogg and a group of women in her community.
The process really helped me to identify and articulate what I need to be creative by reflecting on the times when I felt most alive and connected. What I realised was that it wasn’t just one thing that gave rise to creativity but an ecosystem of mutually reinforcing elements. This is a rough list that I came up with but I’m sure there’s more…
Financial stability: having work I enjoy that is super flexible gives me the space and freedom to be creative. Any kind of pressure or expectation is death to my creative spark so I have to know that food is on the table regardless of my creative output.
Supportive community: people who allow me to be me, who give me a sense of belonging, who hold me in my vulnerability. They give me the personal strength to allow the vulnerable experience of creativity and also enrich my thinking. Meaningful conversation is a major creative turn on for me and feeds into the next two elements…
Rich life experience: without getting out of the house and doing things I’d have nothing to write about. I need to feel engaged in life and in the world so I have to follow my curiousity, my sparks of joy and go have adventures. Examples include going out into nature, going on retreats, looking at other people’s art, learning new skills, meeting people, following the things that make my heart beat fast.
Deep reflection: for me this comes from solitude. Quiet moments where I can turn those rich experiences over in my mind and make sense of them. In practice it looks like having a chai with my journal at my favourite cafe, sitting in the garden and watching the world go by, going for long walks or meditating. I often get my best ideas first thing in the morning as I lie in bed and listen to the birds.
Unstructured playtime: the actual act of creation needs time, actually turning up to the page or the studio and making the thing. It needs a special kind of time though, the process must be focused but unhurried and, as I mentioned earlier, unburdened by the weight of expectation. It feels like total surrender to what ever mysterious thing wants to come forth.
Enthusiastic audience: this one is not essential but it is a fantastic motivator. Some artists talk about doing the work for themselves alone, for the simple joy of creation, and I can relate to that but it’s not always enough. Perhaps it feels self indulgent, though I strive to overcome that kind of thinking.
The thing that motivates me most is knowing that someone is ready and waiting to see what I’m working on. They have to feel like a safe person for me, someone who is purely curious and enthusiastic with no hint of criticism. I don’t need everyone to be that way, one person is enough. For example I started blogging again because my friend Sarah wrote me an email and asked me to. She mentioned several big experiences I had late last year and said she wanted to read about them and wanted to be able to share it with someone she’d met. Sarah’s always been an enthusiastic supporter of me in general so it was a no brainer, of course I’d write some stuff for her but without that invitation the blog would still be languishing.
I hope you read this and use it to improve your creative ecosystem, the world needs us all to flourish in our gifts! I also hope you take it as an invitation to encourage the artists in your life, you could be the enthusiastic supporter that gives someone else the courage to make a great work of art.