This video is a love letter to humans and trees. It is the simplest, truest expression my heart could come up with. This captures exactly what drove me to produce the Poetrees project – an invitation to create more joy in the world through the magic of our relationships with trees.
When I ask people to write a poem they often feel intimidated but for me poetry is just words from the heart. Here are thoughts from 20 beautiful poets on the meaning of poetry. I love them all but this one from Salvatore Quasimodo stands out:
Poetry is the revelation of a feeling that the poet believes to be interior and personal which the reader recognizes as his own.
This is the bridge I hope to build with Poetrees from one human to another so that no-one need feel strange or alone in the depth of feeling they hold towards a tree.
Please share it with your networks either from YouTube: https://youtu.be/YkX0HgkNueE or from the Poetrees Facebook page: www.facebook.com/melbournepoetrees
Poetrees is alive! You can go to poetrees.net.au right now and read poems that people have submitted, you can visit their treasured trees and you can even add a poem and a tree of your own.
So now it’s your turn to become part of the Poetrees story. Sit by your favorite tree and write a poem. Know that we are listening gently, ready to hear the feeling behind your clumsy words. Tell us what you love about it. Tell us what your tree loves.
If your muse has deserted you and the words are stalling on your tongue, never fear! Here are a bunch of other ways to support the project:
1. Spread the word. ‘Like’ our posts, follow us on Facebook and Instagram, share our posts and tag people you think might be interested.
2. Tell us what you think. It’s tough sending a brand new baby out into the world, words of encouragement or feedback about how the site is working are very welcome!
3. Encourage other poets. Share the poems that are already up on the site with #poetrees, let them know how much you appreciate their work and show support for the courageous early adopters.
4. If you are in Melbourne, Australia come to a Poetrees workshop:
Flagstaff Gardens, 18 Feb, 5.30pm
Carlton Gardens, 21 Feb, 2pm
Poetrees is supported by the City of Melbourne 2016 Arts Grants Program.
Poetrees was created on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to their elders past, present and future and to all people around the world who care for country.
The Poetrees seed has been lurking in the dark for over three months. We’ve been gently watering it with encouraging words, fertilizing it with our creative insights and learning from our mistakes. Over the past week a small tendril has been reaching for the sun as we test the prototype and make sure it’s all ready for your poetic words of tree love.
For those who are new to the project, Poetrees is a playful community arts offering that explores our connection with trees. Users will be able to submit a poem and a tree to the interactive map on our website so that others can visit the tree and read the poem.
I’m excited to let you know that after hours and hours of hard work from the team, the Poetrees website is almost ready to burst into the daylight!
We’ve done everything we can to make a joyful container for your tree-loving words. Next week it will be your turn to step out of the shade and share your poetree with the world.
We’re not leaving you out on a limb though! The important task of composing poems needn’t be carried out alone. We have prepared a series of poem seeding workshops throughout the Sustainable Living Festival to help you tend to your creative garden.
The one hour workshops will comprise a tree meditation and some simple writing exercises to help the creative sap rise through your limbs, onto the page and up to the electronic mycelial network (aka the internet).
Come to one or come to all three! Commune with trees and write poetry! Invite your friends and family, spread the tree love across our city. #inmelbcity #SLFAus #poetrees
Birrarung Mar, 13 Feb, 2pm
Flagstaff Gardens, 18 Feb, 5.30pm
Carlton Gardens, 21 Feb, 2pm
After the success of our crowdfunding campaign my partner and I headed up to norther NSW to learn bird language and nature awareness with American tracker, Jon Young.
My first day of learning bird language was difficult and confusing. We were sent out to find sit spots with a simple instruction to observe tension vs relaxation in the birds around us. It seems easy enough but the diversity of Australian song birds, the high activity of spring and the amount of territorial aggression made it extremely difficult to weed through the complexity to make any sense of the whole.
The debrief with my small group felt long and tedious, the blind leading the blind, it was hard to know what to share or what to listen for. At the end of that first session though I felt like I was beginning to get a sense of what is ‘baseline’ behaviour as opposed to alert or alarmed. It seems that in the Australian landscape it is silence that speaks loudest! The bush is rarely quiet unless there is some kind of predator nearby.
Jon was very clear that Australia is an unfamiliar landscape for him. He didn’t try to teach us about the specificities of the local flora and fauna, instead he taught us a process for engaging with the more-than-human and generating our own connections and understandings. In fact, I observed that he rarely asserted his own knowledge at all, preferring to tell stories that left us to join our own dots.
What we did learn though, after we had started making our own observations, was patterns for how birds communicate and what they might be saying. These patterns are not based on the specifics of bird evolution or biology but where birds tend to fit within an ecosystem. For example Australian birds will go silent when there is an aerial predator on the wing, just like birds in other countries.
I am already putting some of the processes we learned into practice. In my morning sit-spot (at Highfield Park) a pair of magpies landed 15 metres away and looked me over. Rather than staring at them like I usually do, I avoided eye contact and tipped my head away from them. The magpies walked closer, eventually crossing my gaze a mere 2 metres in front of where I was sitting. Having been a dog owner I am familiar with using body language to communicate with animals but I had never thought to try it with birds.
I feel like I have taken the first steps on a long and exciting journey! My knowledge and my sense of connection will only continue to grow.
We made some new friends! The week after I finished up at work we travelled to Daylesford to ‘SWAP’ (Social Warming Artists and Permaculturalists) with Artist as Family. I can’t think of a better way to begin this new phase of my life. It was divine, too many thoughts and ideas and inspirations to share but this little poem captures some of the spirit. Continue reading
Spontaneously dancing with my scarf in the Toolangi forest.
I was really thrilled over the last few months to have had two invitations to do the Work that Reconnects at festivals. The first one was the Waking up the Spirit Skillshare weekend (with the Barkindji people north of the Murray River), the second was for the Toolangi Forest Secrets Festival (in the mountains past Healesville).
Neither event turned out quite the way I expected. I didn’t end up running full ‘Despair and Empowerment’ workshops. Instead I just stayed present and connected with people individually. On both occasions I had planned a variety of processes to share but when I got to the festival it just didn’t feel like the right ‘vibe.’
In between those two events I ran a truth mandala at my home for friends. I had about 8 people come and it was lovely, so beautiful to see people go from strangers to connection in two hours. It was also deeply satisfying to find that I am actually capable of following through on a facilitation commitment!
It feels timely to pause and reflect on these experiences. What does it mean that things didn’t go according to my plan at the festivals?
I really want to criticise myself. The difficult thing is that each time I chose to be present and be guided by what my instincts were telling me. In the moment I was fine with it and happy to accept the other connections I was making but now, in retrospect, I’m disappointed and wondering what the next step is for me. I really want to experiment with larger groups of people but I just don’t seem to be able to make it happen.
I’m not sure if I am not ready to facilitate in those situations or if people are not ready to participate, maybe it’s both. Not everyone sees the value in grief and I am not confident enough to force it on them. I seem destined to enlarge my circle one person at a time. Should I be content with that or am I keeping myself small?